Biography

    Alicia Alonso was born Alicia Ernestina de la Caridad del Cobre Martinez del Hoyo on December 21, 1920, in Havana, Cuba, to Antonio Martínez Arredondo and Ernestina del Hoyo y Lugo. She began dancing as a child and started studying at Sociedad Pro-Arte Musical in Havana with Nikolai Yavorsky in June 1931. That same year, when she was eleven years old, Alonso performed publicly for the first time under the name Alicia Martinez. Alonso’s ballet lessons stopped when she fell in love with fellow dancer Fernando Alonso, whom she married when she was sixteen.

Fernando and Alicia Alonso
Photo Credits: The Guardian

They moved to New York to further pursue their dance careers, and in 1938, Alonso gave birth to their daughter, Laura. Alonso continued to train at the School of American Ballet. In 1941, Alonso was diagnosed with a detached retina and needed surgery to correct the problem. The surgery was, unfortunately, unsuccessful, which led to permanent vision damage and no peripheral vision. Throughout her bed rest, Alonso continued to stretch and use her feet and fingers to practice classical ballet. Needing multiple surgeries and extended periods of bed rest, Fernando Alonso would sit with her every day and use his hands to teach her the roles of classical ballet. Even though she was allowed to leave her bed after her several operations, dancing was not recommended. Stubbornly, Alonso went to practice at the studio down the street every day. Alonso’s determination pushed her from being a statistic of disability to becoming a “supercrip” – a person with a disability who has transcended or overcome their perceived physical and/or mental limitation, performing what an able-bodied and able-minded audience deems extraordinary tasks (Merrigan 214).

Comments

Post a Comment

Popular posts from this blog

Introduction

Image
Alicia Alonso Photo Credits: The Washington Post When one is told to think of a ballerina, the picture that surfaces is most likely one of a thin, able-bodied, long-limbed, light-skinned, pink-tights-wearing young woman. Seldom would we think of a tan, visually impaired Latina. Alicia Alonso was a Cuban ballerina best known for performing professionally with a visual impairment. A hopeful in the dance world, Alicia suffered a detached retina surgery gone wrong and lost her peripheral vision, but through such trials, she would go on to dance globally, found the Ballet Nacional de Cuba, and become a pillar in the Cuban, Latin American, and International communities of ballet and the arts. Alonso’s signature role was as Giselle, where her embodiment of the heartbroken peasant girl remains an inspiration for young dancers aspiring to tackle the role today. Her star power and storytelling would pave the way for her career as a ballerina. Alonso took on many roles, received worldwide praise,...
Read more

Career

Image
Alonso’s debut was in Tchaikovsky’s Sleeping Beauty at the Teatro Auditorium in 1932. After getting married, having her daughter, and undergoing several operations – the last taking place in Havana – Alonso returned to New York in 1943 and was asked to replace the Ballet Theatre’s prima ballerina Alicia Markova in Giselle . Critics quickly noticed her prowess on stage. Barbara Steinberg wrote, “Her vision difficulties helped inspire her interpretation of the role” in Dance Magazine. She was promoted to principal dancer of the company in 1946 and performed her role in Giselle until 1948. Watch Alonso perform Giselle and Swan Lake !      Alonso also performed in Swan Lake , Antony Tudor’s Undertow , Balanchine’s Theme and Variations , and in world premieres such as de Mille’s Fall River Legend . Alonso had developed a reputation as an intensely dramatic dancer, an ultra-pure skilled technician, and an extremely skilled interpreter of classical and romantic repertoires. ...
Read more